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The Dispossessed: An Ambiguous Utopia, by Ursula K. LeGuin

Winner of the Hugo Award for Best Novel 1975

 

na·ive·té (noun)

  • lack of experience, wisdom, or judgment.

  • innocence or unsophistication.

In 1974 one of the featured selections of the old Science Fiction Book Club was a new novel by an author I was barely familiar with: Ursula K. LeGuin. A couple of years before, I’d read he award-winning novel The Left Hand of Darkness and enjoyed it, so when The Dispossessed appeared in the SFBC newsletter I decided to give it a try. I was in my senior year of high school, a standoffish nerd and misfit, with the majority of my life experience coming in the form of books I’d read. However, I was well-read for a kid my age, and had always cast a net wide enough to encompass history and current events, among other things, so it would never have occurred to me that this book would be a bit of a reach. I would not at the time have doubted my ability to grasp the underlying concepts of LeGuin’s latest (the first Hugo winner I ever read before it won the award). It was science fiction, after all. I would dig it.

When it came time to reread this Hugo winner, doubts emerged. I could recall very little of the book or what it was about. I usually do much better than that. That didn’t stop me from reading this classic of the genre, but I was not far into the novel before something became crystal clear. There was no way, in my teens, that I had even a clue regarding the basic themes of this book.

Those themes are big ones, if typical for LeGuin: anarchism, revolutionary societies, capitalism, socialism; male-female relationships; the freedom and burden of individuality. The Dispossessed takes these on through the story of one man’s naive assumptions about another culture, assumptions that are severely challenged when he visits that world and sees it in real life. At the same time, he is a living challenge to the assumptions made by the people he meets regarding his own world and culture, and how these shaped him. These matters provide the essential conflict in the story, as the character Shevek tries to be true to who and what he is, and the society he identifies with, while at the same time carrying forward research in physics that his own people see as being without real value. It’s why he’s left home, to complete that work. He is a man caught between the rock and the hard place when he must walk away from things he knows and believes in, and learn to live in an alien society that will allow him the freedom to make a major discovery – though for their own purposes. He is about to complete a theory that will change everything by allowing all the human worlds in LeGuin’s Hainish universe to communicate instantaneously regardless of the great gulfs of space between them. However, the grand cosmological puzzle Shevek hopes to solve seems a secondary concern to nearly all around him, as war and social upheaval shake the world to which he travels in the hope of completing the work.

Alternate chapters tell the story of Shevek coming of age on his collectivist home world of Anarres and his unsettling experiences in the capitalistic societies of the world named Urras, a planet that considers Anarres its moon. The story of personal conflict is clear enough – and the cultures and worlds LeGuin builds are exotic enough – that I surely enjoyed the book when I first read it. I certainly enjoyed the illusion of understanding it. Reading it again after 44 years, I was amazed and chagrined to realize much of the book never touched me at all. Big themes – anarchism, revolutionary societies, capitalism, and all the rest – and all of them passed under my notice, unable to really touch me in the naiveté of my adolescent years. All I was left with years later was the memory that, yes, I’d once upon a time read the words within this book. It would have been a superficial read at best.

This is not the first Hugo Award winner I’ve reread years after the fact for this weblog, and in each of those cases I was well aware of picking up things missed by my younger self. Life’s experiences accumulate and your perspective shifts; things are made clear that were muddy before or, worse, seemed clear but were not truly understood. But this is the first such book I’ve read that prompted me to look back across the years and realize that, in a sense, I hadn’t really read it at all in 1974. I read it for the first time, with full appreciation for the author’s work, this time around, more than four decades later.

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