Archive for the ‘living’ Tag

The Process, Part Seven: The More Things Change   Leave a comment

One of the best bits of advice a writer can be given is that you need to finish the first draft. No matter what doubts you harbor regarding a story’s quality or eventual fate, you really have nothing on which to base decisions until that first draft is in your hands. Going back to the beginning to start again and fix things can be a trap, a neverending loop of increasing self-doubt. Following this advice is easier said than done, something I know all too well. But it’s essential.

I’ve become fond of the phrase “discovery writing” to describe that first journey to story’s end. (When you think about it, “discovery writing” applies whether you’re an outliner or write by the seat of your pants as I do.) No matter how clear your vision for the story was at the start, the reality of putting the words down in the right order will be an altogether different experience. Telling the tale will lead you to thoughts and ideas that could not emerge until you started thinking of things at that level of detail. That sometimes makes it a difficult trail to find and clear for readers to follow. Along the way you might very well become lost and confused. You’ll doubt the worth of what you’re doing. The machete you’re swinging through the underbrush will seem to have lost its edge.

Just keep going. Trust the story, trust yourself (the same thing, really) and finish the first draft no matter how rough and unsatisfying it might be. Stay the course, straight as you can, and finish it. The quality of the first draft does not matter, completing it does, because now you can do the revisions that make it work.

For me, the process of revision itself has two phases. The first is generated by my own perception of that first draft and its problems, some of which I noticed while writing it. My first drafts are usually sprinkled with notes to myself to address problems or to expand on ideas, among other things. I do this to avoid constantly going back and forth over the same material when I really need to be forging ahead. When I have a first draft completed I go back to the beginning and read through the entire work. Doing this immediately means I have the end of the tale firmly in mind, allowing me to judge whether or not the story begins the way it should. I often discover that the trailhead for this journey isn’t in the right place. Having finished the entire story, I have the knowledge I need to guide me to a solution to that problem. Having verified that the book or story starts in a way that will remain consistent with the internal logic of the tale all the way through, I continue to read through the whole thing. There will be rough spots and loose threads – this is when I find and fix them. There will be debris to clear from the path, often marked by the notes I left to myself, usually unnecessary exposition, sometimes a stray subplot that adds nothing to the tale. I sometimes need to “colorize” parts of the story, having forgotten to describe things in ways that will bring a passage or chapter fully to life. I tweak dialog, clarify character traits and motivations, make sense of plot devices so things don’t seem to spring into being without context – in short, changing anything that stands out in a less than positive way. I’m clearing the bumps and trip hazards of a rough-hewn trail. For me, this revision phase usually takes longer than the first draft to complete, and (again usually) is where I realize that whatever doubts I harbored during the discovery writing were either unfounded to begin with, or are amenable to changes that increase my confidence in the quality of the work.

This pass through the first draft is where I most enjoy this process. Most writers I know dread editing and revising a manuscript. For me, this is where I get to see the full potential of a project begin to show itself. It’s a uniquely satisfying feeling to find a flaw in the story, wrestle with the problem, and then sit back realizing you made it work. Discovery writing is the hard part. Revisions are where the fun begins.

Having completed that pass through the now not so rough draft, I seek the editorial input that will make possible the next phase of revisions. So far this has, for me, come entirely from a crew of willing and able beta readers. At some time in the future I do want to add a professional freelance editor to the loop. However it is done, once I have that input and have had time to consider it, I make one more pass through the manuscript. What I change at that point, and to what degree I change it, depends on the amount of consensus I see between beta readers. If more than half are troubled by the same thing, that will likely lead to a major revision. But I sometimes make a change because one person’s comment caused me to rethink something. This part of the revision process often takes longer than the previous clean-up. Some of the flaws found by beta readers (it never ceases to amaze me, the stuff I miss) are serious and require a lot of work to address.

The biggest challenge of them all, regarding revision of any story, long or short, is knowing when to quit. Perfection being unattainable in the real world, there comes a point when you need to say, “Enough!” and move on. It’s a tough call. When revisions consistently become minor tweaks, and when I can read the work aloud (a powerful proofreading tool, by the way) without stumbling over an awkward phrase, I’m done. Your mileage may vary.

At this point just one thing is left, and that’s proofreading. That’s done in-house with the assistance of my wife, who rarely misses a misplaced comma or hyphen, and who has a better than average understanding of this language I so gleefully abuse for my own purposes. With a little formatting, the proofread manuscript is then prepared for publishing and promotion. At this point my task as a writer, this time around, is essentially complete. Time for me to sharpen all the trail cutting tools and start writing the next book.

As for the book completed and released for sale to the general public, it is now part of an altogether different process, one of examination and assessment that is solely in the hands of readers. It’s not for me to determine the worth of a book I’ve written. I have a certain amount of confidence in my work, but whether or not I’ve succeeded or failed, that is for you to decide.

Iacta Alea Est   6 comments

In a recent conversation, I said something to the effect of seeing much of my life in the rearview mirror. The friend with whom I had this conversation found this observation morbid and disturbing, and said so in no uncertain terms. A natural enough reaction for a member of a species acutely aware of its own mortality, a species that has built entire religions in denial of this simple and awesome fact. A reaction and a denial, and one that utterly missed my point.

I see nothing at all morbid about making such an assessment. At sixty-two years of age, and given the current average life expectancy of a healthy, non-smoking American male human being, it is simply the truth that more than half my time is now behind me. Barring miraculous medical advances that, being an average American, I wouldn’t be able to pay for in the first place, I need to be aware of that rear view. It isn’t morbid, it’s motivational. Now is not the time for relaxed complacency. Looking behind, looking ahead, and doing the math prompts me to get a move on. Time is not on my side, and there are things to do. There are stories to tell. More stories than I know how to count.

Writing is a time-consuming occupation, and when you count yourself among the independently published, you must add the time needed for various acts of self-promotion to the ticking clock ledger. It adds up fast. In the time since I first decided to give this a try – a decision made in late 2010 that I have not and never will regret – my chief limiting resource has been time. When I launched this enterprise I was unemployed and about all I did was write, sometimes three thousand or more words a day. That episode lasted fourteen months, and in the years since, I’ve balanced writing with a thirty-hour-a-week job. It seemed at first to be a good balance, and it did in fact work well, right up to the point that I released the last volume of War of the Second Iteration.

I’d waited on attempting meaningful self-promotion until completing that series, with the goal of launching such efforts with the entire project waiting there for readers to discover. It worked. Periodically making the first book – The Luck of Han’anga – available as a free download has driven sales of the subsequent volumes to a gratifying degree. But the time spent managing such promotions, minimal as they really are, does cut into writing time. To do more than my current promotional activities – and I truly need to do so – presents a quandary. If I’m doing that, I’m not stringing words together, and the timely release of new work (without of course compromising on quality) is as important as promoting previously released material. My attempts to find some sort of compromise allowing both activities to be done well has created only conflict and frustration. Existing books are selling, but sporadically and slowly. My promotional activities are a mere token. And the writing of my next book drags on and on…

Over the past year it became steadily more obvious that what I’m trying to do will never be accomplished under the current arrangement. The best it seemed I could hope for was to endure this state of affairs until I could retire in either 2021 or 2022, a truly depressing prospect.

It was decided to see if something could be done to close the gap. Numbers were crunched, financial strategies were altered and moved forward, and fingers were crossed. This past summer it was determined that we could, if we were careful, bridge the gap to my official retirement without relying on a regular paycheck on my part. The numbers were there, they were correct, and I held back. Having spent most of my adult life working to make sure I was working, letting go of that financial lifeline and taking even a relatively short leap of faith took more nerve than I expected. It was a solid month before I was at ease with the decision (as much as I’ll ever be), and longer before I took that deep breath and said the magic words… “I quit.”

It should be noted here that the decision was in no way an indictment of the job, much less the good people I worked for and with. Sure, there were conflicts, and there were a few people I just never could get on with. Show me a job where this is not true. My situation in total, however, was intolerable, and something had to give.

On October 31, 2018, I stopped staring into the future as if I stood with my toes over the edge of a cliff. I didn’t take a first step – I jumped. All or nothing. Time to be what I’ve always wanted to be, the only thing I’ve ever really wanted to be, no matter what diversions and distractions pulled me first one way and then another during my life. Time to turn from the mirror and face the road ahead. To be the writer, the teller of tales from this day forward.

Iacta alea est

Book Five and the End of the Beginning – Part One   2 comments

It’s been my goal, from the beginning, to keep these pieces on the short side, to make them quick and easy reads. This entry refused to cooperate, so it’s being posted in two parts.

In early 2011, following certain revelations regarding an alleged revolution in self-publishing, I pulled an old manuscript out of an overstuffed file cabinet. The title of the book was The Way of Leyra’an. It was the first and only novel I’d written since completing a long-delayed B.S. in plant biology in 1998. Before my return to academia I’d written half a dozen novels (and rewritten all of them at least once), and enough short stories and magazine articles that I can no long remember the count. I’d sold some of the nonfiction, but not a single novel or short story. The sort of fall-back work I’d been doing while writing was wearing me out physically, so I went back to school to increase my range of options. As soon as the degree was done, I went back to writing fiction. Although it was easily the best thing I’d written to that point in my life, by that day in 2011 The Way of Leyra’an had spent the better part of a decade in that cabinet, and came very near to being my last work of fiction.

The first publisher to see it rejected it. This came as no surprise, since the odds are overwhelmingly against any given publisher saying “yes.” The rejection letter intrigued me, however, and encouraged me. It wasn’t a boilerplate response with a hastily scribbled signature at the bottom. It was an expression of regret. The editor liked the book! Unfortunately, he didn’t believe his company could find a viable market for it. They already had too much of that type of story in the pipeline. Bad luck regarding the marketability, but at least he liked the book! So I bundled The Way of Leyra’an up and sent it to the next publisher on my short list of those still accepting un-agented manuscripts – a list that has grown steadily shorter in the years that followed, or so I’m told. I waited and went about my business – working on student loans and getting accustomed to mortgage payments – and lo and behold, there came another rejection letter. It said essentially the same thing. Third time’s the charm, so they say. Whoever “they” are, they clearly don’t know what they’re talking about. The book bounced that time, too, with essentially the same letter coming along for the ride.

The message seemed clear – I needed to be better than every other aspiring writer, luckier than the rest, and have the psychic power to see into the future and avoid writing books that would be unmarketable by the time I finished them.

Knocked down three times, get up four, some would say. Persistence is easy to preach, but by that time I’d been knocked down and around by rejection letters for more than twenty years. I’d had enough. I didn’t send it out a fourth time. I packed it away, closed work-in-progress files on my computer, and quit. It was time to find other ways to spend my time when I wasn’t busy working to pay off those debts.

The consequences of this decision were not immediately apparent. In fact, for a few years it felt like I’d recovered from a long illness. I spent more time in the garden and returned to the world of amateur astronomy. The latter in particular soaked up a lot of creative energy, and the time I’d originally devoted to writing. It was (and is) an immensely enjoyable and rewarding hobby. But the feeling of emancipation didn’t last. At some point in 2007 I became aware that my basic attitude toward life had shifted in the wrong direction. I was more sarcastic and cynical, and more likely to see the negative side of things. A comment from my wife started the process of realizing I was headed for trouble. She said that I didn’t laugh as much as I used to, her way of asking what was wrong without making a complaint of it. Given the amount of humor that was a hallmark of our relationship, I was baffled and unsettled by the question – and I didn’t see it her way, which represented a hefty dose of denial on my part. Then I started to have the nightmare. It was a dark dream that repeated along variations on a theme, the central element being that I had gotten myself lost and, for some reason this was worse, couldn’t come up with a reason for being there. What purpose did it serve, I’d ask myself. And the answer would come: “None.” I’d then be seized by chest pains that lingered when I woke up in a cold sweat, leaving me to wonder if this time the heart attack was for real. It was never real. It was frightening nonetheless, and as the frequency of the nightmare increased, it started to wear me down.

That sense of being without direction or purpose was corrosive. I wasn’t as much fun to be with or work with, and I lost any sense that the work I was doing was worth anything or was going to take me anywhere I wanted or needed to go. I was considering asking my doctor to refer me to someone qualified to throw me a lifeline. Depression? No doubt about that. Nothing made much sense, fewer and fewer things seemed worth doing, and I couldn’t figure out what to do about it. Oh, life wasn’t uniformly bleak. There were good times that diverted me and provided some relief, but more and more often, especially in winter, I would awaken to a black mood and the firm conviction that none of this was worth a damn.

All the while, Amazon and its Kindle e-reader were turning the world of writing and publishing upside down. I’d heard of the Kindle; being book-oriented regardless of what else was going on, I could hardly miss it. I remember my amazement the first time I saw and held one. There’d been e-readers before, but they were big, clunky disasters. This thing was like a gadget out of Star Trek. I was fascinated, and I immediately wanted one, but I had no clue regarding the effect it was having on the world at large. So I couldn’t have predicted how e-books would ultimately influence my life.

That changed when my wife and I had lunch with a couple I’ve known for quite a few years, one of whom had recently published her first novel with a small press outfit. Over lunch this friend mentioned her plan to self-publish her next book. I’m afraid my mind translated “self-publish” into “vanity press,” since the two had been nearly synonymous for many years. I tried not to react openly to this, but she knew what I was thinking – it was such a predictable reaction. The explanation that followed acquainted me with e-book direct publishing and print-on-demand paperbacks, developments that had passed me by because I’d stopped paying much attention to the publishing world. It sounded way too good to be true, but I looked into it anyway. What I learned sounded promising, and next time we were with these friends I said as much. The suggestion was made then that I pull out an “old” manuscript and try self-publishing it to see what would happen. Of course, I pulled out my most recent attempt, The Way of Leyra’an.

What came next will be the subject of the second part of this essay.

Watching For The Bus   Leave a comment

If you’ve ever been at the mercy of public transportation, you know this feeling. It happens when you’re a minute or two behind your normal schedule and hurrying to the bus stop. If the bus is even a minute ahead of the usual time, you’re screwed. So you hurry. You walk briskly toward the bus stop, peering at the cross street as if you could see around or through the buildings at the corner where the bus will appear. You lean forward over your center of gravity, ready to make a run for it, even though you know that by the time you see the bus, it’s already too late. It’s a peculiar form of anxiety, waiting for the bus to cruise by and leave you stranded. It could go by at any moment. You can almost feel it coming.

As I wrote the final volume of the War of the Second Iteration I felt a strange sensation building; a quiet, formless and yet strangely familiar anxiety that could never quite be banished. At first I dismissed it as a consequence of the constant troubles of the past year. I never seemed to be able to stay focused on the book, and the longer that went on the more concerned I became for the quality of the finished product. But when I thought about it I realized worries over quality didn’t fully explain what I felt. One afternoon, while feeling the aches and pains left over from a traffic accident, I realized what was bothering me. This anxiety gnawing away at me was the fear of not finishing this book at all. Of not being able to finish it. So many problems had struck out of the blue in recent months, including that automobile accident – which could have been so much worse – what was next? Would the next calamity be disabling? Or something more terrible? And wouldn’t it be the ultimate irony of my life to get four of the five books done and then be taken out by some pointless accident or illness? It would have seemed a far-fetched concern a couple of years ago. By the middle of 2015, thoroughly shaken out of whatever complacency had crept into my life, it felt otherwise.

It felt like I was running a little late, and the bus could roll by at any moment.

Overreaction? Morbid thinking? Some would certainly say so, and council a more “positive” outlook, but I’m neither an optimist nor a pessimist. I’m a realist, and to me the possibility of such an irony is all too real. The troubles of last year merely reminded me of something I already knew. I took them as warning shots. It just makes sense to be mindful, and to not take life for granted.

I quietly celebrated my 60th birthday not long ago. The simple reality is that I probably have more years behind me than ahead of me, at this point. The chance to get into print via the modern version of self-publishing came to me rather late in life. There’s a positive aspect to this. At a time when many people would be winding life down and wondering what to do with their “gold years,” I’m launching something new and – for me at least – tremendously exciting. I’m being challenged in new ways and dealing with new situations. I’m told this is a good thing, a healthy change, and it certainly feels that way! But I have a lot of books in me, a multitude of stories, and I have – how much time left to write them? Does anyone know? Can anyone know? To make the assumption that I have the time I need would be, to put it mildly, foolish. Too many people at or near my own age have suddenly come to an end, of late. People I’ve known or known of have died, cut down by something they couldn’t have seen coming, much less prevented. Over and over again I mutter, in response to news from a friend or news of the larger world around me – “Too young! Much too young!” It’s happened recently to the daughter of an acquaintance. Living her life as usual and suddenly gone. No one saw it coming. It’s the sort of news that makes you rethink many things. It made me write this piece.

I have no reason whatsoever to believe that I am exempt from the possibility of an untimely demise. I’d be a fool to assume such a thing. So I’ll keep moving briskly forward, ever mindful of that bus. The War of the Second Iteration is, for all practical purposes, done. But there are other books, other tales to tell. The clock is surely ticking.  I need to write faster. But then, doesn’t everybody, really?

Isaac Asimov was once asked, in an interview, how he would respond if he received a terminal prognosis. “If my doctor told me I had only six minutes to live, I wouldn’t brood. I’d type a little faster.” Though it was said with tongue-slightly-in-cheek, there’s truth in those words, so I’ve always been inspired by that statement. There’s been no bad news from my doctor, but it could happen. Or something worse could occur in the proverbial New York minute. Brood about it? No, absolutely not. I’ll use these reminders that life is a chancy business, and that there are no guarantees, as motivation.

And I’ll type a little faster.

This Past Year, and Then Some   Leave a comment

You try not to let it happen, but some degree of complacency often creeps into your life, over time. It’s hard to cope with a day-to-day routine without falling into the proverbial rut and just following it along. The pattern provides structure, and structure appeals. It can even be productive. For me, four of the past five years fell into a comfortable pattern that provided several hours each weekday in which to write. I’ve made good use of that pattern and produced four novels, a couple of short stories, and a brief memoir while following it. Unfortunately, the complacency encouraged by a comfortable pattern can come back to bite you without warning. In January of 2015 I started the fifth and last volume of the War of the Second Iteration series, ready to swing through that comfortable routine and get another book done by the end of the year. I was a month into it when the pattern suffered the first of a series of disruptions, turned on me, and bit hard.

At the end of January, 2015, my father died. His health hadn’t been great the previous year, but the last time I talked to him there was no indication that things were getting worse. I very much suspect he was keeping things to himself, in a misguided effort to avoid worrying us. In the middle of the month I received word that he was in the hospital, and barely a week later, in a hospice. I got to Phoenix in time to have a talk and say goodbye. I brought a copy of my latest book release, knowing he’d been looking forward to seeing it. He took the copy from my hands, clearly delighted. He’d read all three existing volumes, by then, and set aside the new book after examining it, “To read later.” And of all the sources of pain that tangle together and equal the loss of a parent, the thing that rose then to wrap around my throat and choke me up was the realization that he would never know how the story ended. Not the most rational response to watching a parent die, perhaps, but what reason is there in grief?

His death a few days later shut me down. Some writers can work through grief, but I’m not one of them. It took a long time to catch my breath and resume work on Book Five. The comfortable pattern seemed restored.

In short order, however, the pattern was twisted twice more. My wife took a tumble and broke a wrist. Not a horrific injury, though it required surgery to repair, but it caused us both great distress and took her out of action for several weeks while leaving me to take up the slack. I did this without question; that’s what you do, and she has certainly not counted the cost when I was the one down and out. This time the creative energy wasn’t balked so much as diverted, since I needed so much energy, and time, to keep things on an even keel for all concerned. While we were coping with the wrist injury, we were in a traffic accident. This left me with an injured leg that shut down a lot of activities, and slowed me down to the point that I could barely keep up with any obligations. The process of writing the book became a less organized and cohesive activity, with lengthy gaps between writing sessions that often left me feeling that I’d lost the thread of the story. I’d certainly lost that comfortable pattern, that’s for sure.

I did the only thing I could. I kept picking away at it, hoping that I’d be able to sew it all up into one neat bundle – eventually. For surely this run of bad luck couldn’t go on indefinitely – could it?

And in a way, it didn’t. Something more insidious took the place of accidents and injuries as the summer passed, a slower distortion of life’s pattern. My wife’s 89 year old father’s condition began to deteriorate, a slow but steady downhill slide that saw us spending ever more time and energy helping him cope. The pattern of daily hours for writing, barely re-established to begin with, became rather shallow. For a time, it was all at least predictable, and an adjustment could be made. Things moved slowly forward yet again. The first draft was finally completed and sent off to beta readers. While they worked it over, her father lost the ability to drive, which upped the ante quite a bit. Memory impairment also worsened, requiring more of our time still to help him manage. Then, as 2016 started to unfold, his physical health declined to the point that hospitalization was required and, ultimately, the dreaded “change in residence” loomed over us all.

This, as the revision and copy editing process began in earnest. I kept revising, in fits and starts. My wife, who does the proof reading (and is very good at it, as those who have read my books may have noticed) kept at it when and as she could. With her father in a tough spot, the book assumed a decidedly secondary status.

As you might imagine, this all added up to a year and more of ongoing frustration, and not just as a writer. Frustration, but no anger. No one (except the driver of a certain green SUV) was in any way culpable. These things just happened, and happened to string together in a series of disruptive events and circumstances. All you can do with such a run of bad luck is, well, put your head down and run with it. Rearrange the priorities appropriately to do what must be done, then just keep going. I did that, or at least, did so to the best of my ability, writing and revising only when I was free to do so. It made for slow progress, but the work did move forward.

Lately I’ve I found myself looking back on that year of disruptions and circumstances, thinking that I really need to be less dependent on any given pattern of hours and days for writing. There was a time in my life when I was able to write whenever an hour or two became available. I didn’t need that much structure – the writing was always right there, ready to go, for a paragraph or a page, whatever the moment permitted. But even as I began to chide myself for having grown so complacent, I thought about Book Five – so near, now, to release – and realized that this is exactly what I spent the past year doing. The pattern was thoroughly disrupted, and yet somehow, the book happened anyway. In paragraphs and pages at a time, writing when I could, without leaving the people in my life feeling like they were secondary priorities. Perhaps the complacency hasn’t set deep roots after all. I find that reassuring, and I cling to that reassurance. I need to be able to write that way, because you never know what comes next, and 2016 already promises to be its own sort of adventure. I’ll need all the flexibility I can muster.

A Slice of Sky   Leave a comment

For all my good intentions, I still don’t go out stargazing as often as I did in the years before I launched into self-publishing. It’s hard to justify spending time on a hobby when there are so many stories trying to claw their way out of my head. But the night sky can be insistent, and the urge can become overwhelming. A few days ago it became irresistible.

It was a clear evening, typical of the desert in springtime. The constellations of winter, Orion most prominent among them, were low in the west and slipping away. Sirius blazed and glittered in the southwest. Gemini was high in the west, and Leo was straight overhead with Jupiter just within reach of his paws. The arrangement of planet and constellation brought to mind a kitten chasing a toy, a strange fate for the King of Planets. Rising in the east were the constellations of spring and early summer. Boötes was almost horizontal, as if not quite ready to rise and shine from a long seasonal sleep. The Big Dipper was high in the northeast, and the North Star was, well, where you always find it. Plenty to choose from, in terms of targets, even with the narrow bit of sky I can see from the backyard these days.

In 2003, when I bought the new telescope and began to re-educate myself in the art and science of visual astronomy, setting up on the back porch was a workable option. I lost some of the north and northwest sky to the mesquites growing in the back yard, but there were only a handful of constellations I couldn’t reach. In the years since, the trees have responded to our care by doing what trees do best – growing. Twelve years later, setting up on the back porch leaves me with somewhat limited observing options, which has regrettably discouraged me from observing from home base. That night I was reminded that even a narrow slice of an infinite universe is a busy place.

Using a four-inch refractor under moderately light-polluted skies requires careful target selection. No galaxy hopping this time ‘round; I needed bright lights in the night sky. I went for familiar double stars and spent a lot of time looking at Venus and Jupiter. It was a cool, quiet evening that started out a bit windy, but settled to mere whispers of a breeze. The atmosphere was fairly steady, what astronomers call “good seeing.” The twinkling of stars that you sometimes see, famed in song and nursery rhyme, is actually a bad thing for stargazers. If I’d been able to look up that night and honestly recite “twinkle twinkle, little star,” I’d have gone back in to work on the next book. That didn’t happen, so I gazed the evening away, and was satisfied the time was well spent. If you’re at all moved by the sight of stars, just being out on a clear night will do it for you. I spent as much time seated and looking up, eyes alone, as I did at the eyepiece, relaxed and unworried for a while by recent events.

The Muse, however, is never silent, and for all that I focused my attention on Castor and Pollux, Mizar and Alcor, and the moons of Jupiter, the current work in progress was ever present. Bits of dialogue crept into my thoughts. An idea for resolving a plot wrinkle came to mind. Notes for the book appeared among the observing notes regarding the ruddy gold double star in Leo designated Gamma Leonis. The Muse nudged, but it was gently done, for a change, something always there, but otherwise leaving me at peace under that slice of the night sky. A fact of life, if you’re a writer. It never really stops. I felt no conflict between writing and stargazing as this went on, and that’s likely because amateur astronomy is such a blend of knowledge and imagination. Objects in the night sky are utterly beyond my grasp, and so I can only look at them with my eyes or a telescope, touching them with my thoughts alone. I consider what I’ve read about these things, about how long a star in a double system takes to orbit its companion, about the stars being born in that patch of light beneath Orion’s belt, and they assume a reality of sorts for all that they are far beyond my physical reach.

Telling a tale is much the same thing. The worlds I’ve invented are as unreachable, in their way, as the stars. They are built of knowledge and imagination, but they are real in my imagination, as real as the Orion nebula, because I have what I need, through a lifetime of reading and living, to make them seem tangible. And so it seems perfectly natural that, as I look up at the stars, I take their measure even as I imagine people living out there and having adventures. Stars and stories go together and always have, and I am hardly the first to be moved to tell tales while seated beneath them.

The Process, Part Two: Blazing a Trail   3 comments

Find part one of this series here: The Stuff of Which Daydreams Are Made

If you give a daydream a long enough leash it will become a story. If you let go of the leash, it’ll run away from you and find someplace suitable to thrive and grow. If you’re a writer, you have no choice but to follow it to that place.

There’s rarely a clear-cut trail that leads you to where the stray daydream finally comes to rest. You have to blaze the trail for yourself, even if the daydream left you with only a vague idea of which way to go. The process of bushwhacking your way to the destination the daydream-story has created is called writing the first draft.

Most writers I know face their greatest challenges while revising and editing a book. Some go so far as to proclaim anything from distaste for, to outright hatred of, this aspect of writing. For me, it’s just the opposite. The first draft puts the grey in my beard. Once I’ve got the first draft done the real fun begins. The trail to what that daydream became is open. The route to the destination that is the story’s ending can now be followed and reshaped to reach its greatest potential. That’s the destination I have in mind when I begin the journey that becomes a book. Once I’ve cut the trail to this place, I can set up camp and go back along the trail to clean it up. After all, I do want others to follow me. This is more easily said than done, so I can understand to a degree why some people feel the way they do, but for me this particular challenge is what it’s all about. As my Kentucky great-grandmother liked to say, “It isn’t work if you enjoy it!”

But I have to get there first, and establishing the trail head itself is the biggest challenge involved with blazing that trail. It isn’t unusual for me to start a project, get a chapter or two into it, and realize I’m headed in the wrong direction. When that feeling of having gone astray begins to develop, and I recognize it all too well, there’s nothing for it. I back up and start over. I may incorporate some of what I’ve written somewhere along the line, mostly by keeping the ideas in play, but I might start completely from scratch. Even after I’ve worked out of a false start and gained momentum, I very often find that the real trail head was some ways off from where I thought I needed to begin. It’s not unusual for me to cut out the very first chapter of a book when preparing it for beta readers. Sometimes the biggest mess of all is the trail head itself, and a better one needs to be found. So let’s say we start the journey by strolling down the hillside, instead of jumping awkwardly off that rocky outcrop.

You don’t make a journey like this alone, of course. Right from the start there’s going to be a character or two at the trail head with you. The characters that inhabit the daydream are, at this point, mere sketches. I know I need a man here, or a woman there, along with a situation that allows me to set their identities and begin the process of character building. I start out with a fair idea of who these companions are, and what they’re about, but as I cut my way through the wilderness and get to know them better, I often find out I’m wrong. They change with the journey, and that’s as it should be. Experience should show, and the best characters in fiction are always those who are at least a little different in the end from who and what they were in the beginning. Sometimes you learn more about them than you wanted to know, but in the end, the story is the stronger for it.

You don’t come at this task barehanded, of course. You need the proper tools to cut through the undergrowth and then clear the trail. The daydream spun itself out of who and what you are in the first place, and you are the sum total of all your experiences. Everything I’ve ever done, seen, heard, and felt; everything I touch or taste; every pain and exaltation, and all the people I’ve met and either cared about or despised; every book I’ve read – especially the books – all come ready to hand as the trail grows ever longer. Even the research I do is based on what I already know, which provides the frame of reference for the questions the story raises as I work my way to the trail’s end. And yes, I sometimes find myself shaping the right tool for the job and giving it the sharpest possible edge even while I work.

Now and then, from some high place along the way, I can see something of what’s ahead. That’s useful when it happens, so I always take notes! It often looks strangely familiar, even though I’ve never really passed this way before. But then, it was my own daydream, after all.

 

Stars in the Balance   5 comments

On the 27th of August, 2003, Mars and our Earth passed as close to each other as they’ve been in recorded history. No one alive will see such a thing again. This was all treated as headline news, at the time, and spawned one of the most persistent internet hoaxes I know of, that being the claim that any given August Mars will appear as large as the Full Moon in the night sky. The event also marked a turning point in my life, since it changed astronomy from a fondly remembered teenage obsession to a present day pursuit of wonders in the night sky.

I was employed by a lab on the U of A campus that summer and saw an article in the campus newspaper about the close approach. There was an announcement of a related public event in that article, viewings of Mars from the campus mall on the weekend before and the weekend after opposition, hosted by the Flandrau Science Center and the Tucson Amateur Astronomy Association. Mars that close, viewed through a telescope? For free? No matter how low a level my astronomy interest had reached, it was too attractive a notion to pass up, so my wife and I attended the first viewing. The desert monsoon was in progress, and the clouds left behind by afternoon thunderstorms left us with mere glimpses of Mars, though I did wander the field examining telescopes and speaking with their enthusiastic users. It made me nostalgic for times past, to say the least. It was also a strange and wonderful feeling to actually look through telescopes of sizes and powers I could only dream of owning as a teenager.
The following weekend, just a day or two after the actual opposition, the weather was clear. We decided to give it another try, and were well rewarded for our effort. There were more telescopes on the mall, and more people had come out to have a look. It was a noisy event, punctuated by excited shouts as folk unfamiliar with telescopes had their first looks at Mars or some other celestial sight. I saw Mars as I’d never seen it before, and will never see it again. By the time we were home I’d decided on two things: the Old Scope was coming out of the box, and ownership of a newer, larger instrument was in my immediate future.

If you’ve read my short amateur astronomy memoir, Mr. Olcott’s Skies, you already know that this is exactly how it unfolded. Now I find myself sitting here, ten years after that event, contemplating the changes that have come since then.

For a time, amateur astronomy was everything. I bought gear, I bought books, and I joined the local club. I immersed myself in the hobby, attending star parties and outreach events, writing reviews and observing essays for the Cloudy Nights forum, on which I also served as a moderator and then an administrator. I wrote instructional material for the local club and helped run their beginners’ program for a time. Amateur astronomy became the major focus of my free time. This was possible because I’d given up writing.
I’ve mentioned that sad decision in this blog in the past, so suffice to say that after nearly two decades of selling ever fewer magazine articles, and not a word of fiction, I quit. There was no way I could continue to justify the attempt, especially knowing as I did that it was getting harder all the while for new authors to break in. I quit, but the creative energy was still there, scratching and clawing at me from the inside, seeking a way out. Astronomy provided that outlet. The planning and study required for observing, the interactions online, the reviews and observing reports, all these aspects and more soaked up that energy and then some. Because of this, some of the most creative times in my life involved no writing at all, or writing as incidental to astronomy, a tool to communicate and share my love of starlight and moonlight with others.
Along came the Kindle, and then Nook and Kobo. The digital revolution had finally caught up with publishing; it did so all of a sudden and in a big way. As a writer, I found myself with options that hadn’t (and couldn’t have) existed when I stopped trying to sell my words. When I realized there was a new reason to hope, a reason to write in earnest, writing experienced the same sort of revival that astronomy did in August 2003. Regrettably, this has happened at the expense of star gazing.

An unforeseen and unfortunate consequence of the writing revival has been a reduction in the amount of time spent at the eyepiece. For the last couple of years I’ve put all my spare time and energy into books and stories, and felt very good about doing so. As a priority, it’s a no-brainer. To have any chance of success I need to produce material for publication, balancing speed of output with quality. But here, a few days after the 10th anniversary of my return to my youthful obsession with star gazing, I find myself seeking a balance of another sort. I must write, for this is the very definition of my being. But I must find the time to go out and point lens and mirrors at the sky, to gather and focus ancient light on my eyes and imagination. The spirit in me craves both. The challenge before me is to placate the muse, and somehow manage to keep looking up.

Reading Habits   Leave a comment

My desire to write is more than likely a consequence of my print addiction. I learned how to read very early, according to my parents, before I learned to tie my shoes. Whether or not that’s literally the case, I can’t say, but the truth is I’ve been an active, even compulsive reader, for so long now that books often figure in my foggiest early recollections. A love for books and reading was actively encouraged by those who had a hand in raising me, for which I will be forever grateful. And somewhere along the line, also very early in my life, putting words down on paper for myself became the flip side of reading, a natural outgrowth of a love of words and the tricks they can play. Writing and reading were soon of equal importance, and by the time I was half way through middle school I was quite convinced I wanted to be a writer. This side of the coin didn’t receive quite the level of encouragement as reading, however, due to concerns that I might develop “impractical” priorities.

The reading I did in younger days was not especially eclectic, with general science and science fiction making up nearly all the elective reading I did in middle and high school. There were exceptions. Somewhere along the way I was required to read Buck’s The Good Earth, a book that took my imagination to unexpected places. Most of the normal high school reading list left me flat, until I was assigned Moby Dick, a book that both baffled and fascinated me. Late in high school someone introduced me to Will and Ariel Durant, and history joined science on the nonfiction hit parade. And then there was Shakespeare. I had my problems with Elizabethan English, but for some reason was so fascinated by what I read (and saw performed in a couple of cases) that I made the effort. But these really were the exceptions to the rule, and the authors I knew best were the likes of Heinlein, Asimov, Silverberg, and Pohl. I read so much sci-fi as a teenager that the adults around me reacted to it the way some did the idea of kids drinking coffee – that it would stunt my growth, in an intellectual manner of speaking. And in time, the amount of time I spent off by myself reading was itself seen in much the same way, as too much of a good thing.

In hindsight, they clearly had a point. I was rather shy in younger days, and averse to taking risks. These traits, combined with a combination of family issues and the very conservative social environment in which I grew up, conspired to make me something of a late bloomer. Being somewhat behind the curve made it harder for me to fit in – anywhere – something that made me ever more escapist in terms of the reading material I sought. When I started writing science fiction and fantasy it seemed only natural to do so. I practically lived by and for genre fiction, those genres in particular. Attending science fiction conventions and hanging with a crowd with the same fixations reinforced the habit. To say that what I wrote in those days was terribly derivative would have been, at best, an understatement. That I sold absolutely none of that fiction, not a word, is in hindsight not at all hard to understand.

Nothing stays the same, though, another aspect of reality I’ve come to appreciate in a different way over time. I met people in the sci-fi crowd who had one foot firmly planted in the “mundane” world from which I desired to escape. Through friendships made with such people I eventually found myself encouraged to try new things in that mundane world, to approach and embrace it with a bit more courage. When you take a chance and succeed, you are more willing to push yourself a bit further and harder. Sometimes you win, sometimes you lose, but if the wins at least give you a sense for facing even odds, you keep at it and keep growing. It becomes a positive feedback loop, an upward spiral, and things really begin to change. You do crazy things, like bicycling the length of Baja California, getting married, and going back to school to earn a degree. You become your own agent of change.

Two things happened to my reading habits as these changes unfolded. I spent more time doing things and less time reading, but at the same time covered a wider range of subjects. Conversations and experiences with a broader range of friends and acquaintances led to the selection of different sorts of reading material. Sci-fi lost its near complete dominance. On the way to the degree I became so caught up by other matters that I nearly stopped reading fiction altogether. Hardly a surprise, I suppose, that I also stopped writing it, although continued lack of sales certainly helped to spill the wind from those sails. Books on history, biography, and science were most likely to stick to my hands in bookstores, with escapist fiction fading to a minor role. I read hard books, works that challenged me, and sometimes confused me. It was a very different escape from the ordinary.

The digital age has brought writing back to dominate my life, these days, and although my first book is nonfiction, I was immediately drawn back to sci-fi. (It felt like going home.) As I’ve worked to develop a credible fictional world I’ve discovered that reading and writing seem to have developed a relationship that inverts the way it was in my youth. Once upon a time reading made me want to write. Now I’m writing science fiction again, and to promote my work I find myself interacting with fans and readers of the genre. They’re talking about books that sound worth reading, and so now writing has led me to read more fiction. It’s a different experience these days, however, and not so much about escaping reality. Reading, which is now the flip side of writing, is informed by a wider range of experience. So is writing. Considering this, I finally understand a comment I heard a long time ago. Live boldly, read boldly, and then write about it.

Posted September 17, 2012 by underdesertstars in Books and Writing

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